An audio retreat, living the Magnificat
This is the second reflection, commemorating the two hundredth
anniversary of the Restoration of the Society of Jesus. A reflection
on the life of Pedro Arrupe. 
 
The St Thomas Music Group sing Mysterium Amoris by Margaret Rizza, from
a text by John Main: The meaning of life is the mystery of Love. Just as the
roots of trees hold firm in the soil, so it is the roots of love that hold the
ground of our being together.
 
Pedro Arrupe was born in 1907, and was the first Basque since St
Ignatius to be superior General of the Jesuits. He trained as a
doctor before entering the Society and became a member of the
Japanese Province. When the atomic bomb was dropped in August
1945 he was novice master at the community on the edge of
Hiroshima and he organised for the care of many of the victims in
the city. He became Provincial in Japan, and was elected General of
the Jesuits in 1965. He was an inspirational leader and was widely
respected as a ‘re-founder’ of the Society of Jesus in the light of
Vatican II. He became a vocal advocate of peace and justice being
an integral part of the preaching of the Good News in the modern
world. Just before he was incapacitated by a stroke in 1981, he
established the Jesuit Refugee Service, now at work today in more
than 50 countries worldwide. He resigned as Superior General in
1983 and spent the remaining seven years of his life in the
infirmary of the Jesuit Mother House in Rome, where he died on the
5th of February, 1991.
 
This is a short, but very famous extract from his writings on falling in love with God.
 
Nothing is more practical than finding God, than falling in Love in a quite absolute, final way. What you
are in love with, what seizes your imagination, will affect everything. It will decide what will get you out of
bed in the morning, what you do with your evenings, how you spend your weekends, what you read, whom
you know, what breaks your heart, and what amazes you with joy and gratitude. Fall in Love, stay in love,
and it will decide everything.
 
What are you in love with at this present moment in your life? It could be
anything – family, friends, a partner. What does that feel like? Pedro Arrupe
says that it will even affect how you spend your time. Have you
experienced this?
 
What fills you with joy and gratitude? Can you see your relationship with God reflected in what gives you joy and gratitude?
What breaks your heart now? Can you see how God might be working in this?
 
Listen again to the reading and pay special attention to what Pedro Arrupe
says about "How to say in love ?" 
 
Now enter into conversation with God whose very nature is love, and who is
present in all love. Ask God how you might communicate all of this to other
people in your daily life.
The Introduction to a series of four podcast reflections on the life of St Ignatius Loyola as seen through The Spiritual Exercises.
Young Woman at prayer

Fr James Hanvey SJ, Master of Campion Hall, University of Oxford, gives us a simple reflection on Christian prayer.

He discusses Christ's own prayer and how we can use the prayer of the Church to draw closer to God the Father.

Part of our 'Schools of Prayer' podcast series.

www.catholicnews.org.uk/schools-of-prayer

This is the seventh reflection commemorating the two hundredth anniversary of the Restoration of the Society of Jesus. A reflection on the life of Gerard Manley Hopkins.

The monks of the Abbey of Keur Moussa sing: O all you works of the Lord, O bless the Lord, To him be highest glory and praise for ever. Wherever it is I am right now, what works of the Lord can I see? Perhaps the sky, the clouds? Perhaps hills or fields, or a horse or a dog, or a tree? Perhaps it’s just the inside of a bus that I can see? Perhaps another human being. Can I imagine all these things, the works of the Lord, praising God, their creator, now? And can I do the same myself?

Gerard Manley Hopkins was born in 1844 was an English poet and convert from Anglicanism. He developed a love of the arts as a young boy, and continued to write and paint all of his life. When he chose to become a Catholic and then enter the Jesuits he destroyed most of his early poetic works, and for his early years as a Jesuit he stopped writing. Following encouragement from one of his Superiors, Hopkins began to write once more and he developed a poetic technique which he described as ‘sprung rhythm’ which he used to particularly good effect to describe nature. His use of language was innovative, employing ancient as well as dialect words, and even inventing new words. He ministered quietly in various schools and parishes in Britain before being sent as Professor of Greek and Hebrew at the newly-established Catholic University in Dublin. Few of Hopkins contemporaries appreciated his poetic gifts and it was only after his death in 1889 when his friend, Robert Bridges, the Poet Laureate, published a volume of Hopkins work that his genius began to be recognised. He has a plaque in Poets Corner in Westminster Abbey.

The world is charged with the grandeur of God.
It will flame out, like shining from shook foil;
It gathers to a greatness, like the ooze of oil
Crushed. Why do men then now not reck his rod?
Generations have trod, have trod, have trod;
And all is seared with trade; bleared, smeared with toil;
And wears man's smudge and shares man's smell: the soil
Is bare now, nor can foot feel, being shod.

And for all this, nature is never spent;
There lives the dearest freshness deep down things;
And though the last lights off the black West went
Oh, morning, at the brown brink eastward, springs —
Because the Holy Ghost over the bent
World broods with warm breast and with ah! bright wings.

The poem, ‘God’s Grandeur’ echoes the Spiritual Exercises of St Ignatius, especially the Contemplation for Attaining Love’, an ecstatic celebration of God’s dynamic presence and action in the cosmos. Can you think of a time when you have felt especially close to God in a natural setting?

‘Generations have trod, have trod, have trod’. Hopkins’s lines imply a common anxiety among Victorian believers, that the modern age of scientific and industrial progress- ‘our smudge and smell’- has distanced us from a direct communion with nature- ‘nor can foot feel, being shod’- and therefore we are further from God. Does this ring true for you? Are there ways in which your busy life has made you less aware, less sensitive to the ‘dearest freshness’ in things?
The poem presents us with a beautifully maternal image of the Holy Spirit, ‘brooding’ with ‘warm breast and bright wings’. What kind of image does this conjure up for you? Does this feminine image help you to grasp the intimacy of God’s love for you?

Notice the use of the word ‘charged’ in the first line. The first meaning that presents itself is that of energy and dynamism, like a charge of electricity. But charged can also mean ‘entrusted’, ‘given a mission’. The task of the created world, the reason for its existence, is to bear witness to God’s glory and grandeur. Does this idea attract me? What about me, am I too ‘charged’ with the task of giving God glory? As you listen again, think about the word ‘charged’ in the first line: ‘the world is charged with the grander of God’.

Speak to God now, about what arises from your time of reflection and the emotions this poem has evoked in you. It may be that you feel regret for a lack of awareness, that, like many people, you have not ‘recked his rod’, that is, you been slow to acknowledge God’s majesty. Or perhaps you feel a renewed sense of energy and mission, of being ‘charged’ with carrying out a great endeavor. As you express these feelings to God, can you also ask him to deepen your sense of wonder and delight at his presence.

The Last Supper by Andrew White, detail

It is Holy Week – the week in which we re-live in our prayers the journey Jesus made from Jerusalem to his crucifixion on Calvary and his resurrection.

We have produced eight conversations for Holy week to take you back to those tense and frightening days in Jerusalem and place you alongside the apostles as they try to make sense of the political and mystical forces at work in what is happening to them, to Jesus their Lord, and to the people of God.

Listen to the other episodes >>

When Jesus entered Jerusalem, the Roman province of Judaea was under the authority of the Roman Prefect Pontius Pilate, who reported to the Governor of Syria and the Emperor Tiberius in Rome.  The Jews were a reluctant subject people, but generally peace was maintained.  In Jerusalem itself the politically astute Romans allowed considerable authority to the High Priest in maintaining the sanctuary, taking responsibility for law and order, and running the affairs of the holy city.  However, it was they who appointed the High Priest and they expected full co-operation from him and his inner circle.   The Passover festival was always a volatile time as hundreds of thousands of pilgrims flocked to Jerusalem to offer sacrifice at the Temple and celebrate the festival of liberation from Egypt.  The city was over-crowded and emotions ran high.  Pilate himself made sure he was present in the city with an enhanced military presence ready to intervene in case of any flare-ups and to remove insurgents from the streets.

Jesus and his friends entered the city as pilgrims on the first day of the week.  We call this day Palm Sunday because as he entered the people of Jerusalem flocked to him and laid palms on the ground before him, acclaiming him as their king. This was a clear political challenge to the powers that be.